It's all Happening Here

It looks like being an exciting weekend. I am waiting for a book delivery - Lynda Monk's new book,  Exploring Creative Surfaces, which I hope may be here this evening. It is such a great book and she is doing amazing things with such ordinary things as scrim and Tyvek, as you can see here.

I also love her easy screenprinting tips which result in wonderfully colourful surfaces like this one.

Taken to the other extreme she describes techniques for cut-outs that can be fragile and lacy or made to resemble metallic surfaces. Below is a shrine made using the metallic look, with a detail under it.




There is still time to go to www.d4daisy.com and put your name on the let me know list. No obligation and you might win one of Lynda's special packs of 'stuff'.


We will also be giving away some of these packs with the first Exploring Creative Surfaces books that we send out. They will enable you to get on and try Lynda's great ideas straight away.














It is also Workshop on the Web time again, as if you didn't know, and it's an exciting edition.

The great thing about WoW is that we can give such detailed step by steps for techniqes and we have a real expert on printing (Laura Boswell), a lovely Bondaweb idea from Jessica Richardson, shown right, articles on using embossing powder, mixed media books and much more.

 The pic below is by Carol Wiebe, and looks at stitching digital printouts.

Tomorrow is the official start of Christmas in the Grey household as we are off to the Stanpit party, always the first Saturday in December. This is where we all took our City and Guilds exams in the long ago, dark ages. There has been a party ever since and usually my group organises it but we have handed on the baton to another group. The new group's first action was to ask me to do the talk, so I am delighted to still be involved. They can't get rid of me that easily! The subject is Faces and Places. I rely on Jane Wild for many of the Faces - I love this painting of hers - it reminds me of the Gaudi chimney pots in Barcelona.



And, while we are on the subject of drawing this is one of mine, called One Tree Hill.

 As soon as this weekend is over I must get on with Christmas but I am also hoping to revamp my blog - so watch this space!


Sorry about these two pics - they were not invited and they won't go away - a bit like the telephone cold callers we are currnetly plagued with.

Lovely work

Just had to show you this lovely piece by Gillian Boyle. She made it from techniques in my Dissolvable Delights book and the free lessons that went with it. I don't know if this shows samples laid over each other, Gilian. If it isn't, I think you should stitch it together straightaway as it is a super shape. Gillian's 2013 project is to create a panel for each season of the year. Hope she shows us the other ones as they come along.

I received the printer proofs for Lynda Monk's new book, Exploring Creative Surfaces,  yesterday and he is promising it for early December so have a quick look on www.d4daisy.com and put your name down if you'd like us to tell us when it is here and have the chance of winning a giveaway. There will be free online classes from Lynda in the new year and I can promise that they will be wonderful.

Today Clive and I are going to John Lewis to buy a new laptop. The one we use for talks has served us well but is getting a bit creaky. I hate new computers - all that hassle transferring everything. We are going to John Lewis because they seem least likely to fold in the current downturn (also because they do good lunches.)

We are working on a new look for the blog, so watch this space.

Having a Kent Day

We've just had a lovely couple of days in Whitstable, Kent. I couldn't find an exhibition I fancied reviewing for December’s Workshop on the Web and then realised that Prism had a follow-on there from their Mall Gallery show. Are we mad, going all the way from Dorset to Kent to review an exhibition? Well we probably are, but we needed a break and were tempted by the idea of what we call a ‘Kent Day’.

These special days started when I used to teach a group up that way as a mentoring exercise – two or three times a year. They were a lovely gang and produced great work. I had to go up the day before and Clive often came with me so we would have a fun day. It went something like this:

1. Take packed lunch. Eat it at bird-watching lake at Oare (with binoculars). Good birding there.
2.   Then drive to Ashford for retail therapy at the outlet shopping centre. Good excuse for a little spend.
3.    Have coffee and cake to hold off hunger pangs.
4.    To the cinema complex for a snooze or a film – sometimes both.
5.    Back to hotel for a char-grilled steak.

We followed this time honoured pattern on Friday and it was lovely. Saw the latest James Bond and purchased some Chrissie pressies. Good meal and, joy of joys, Clive has discovered gin and tonic. Since he became diabetic he can’t drink wine for some reason and it’s miserable not being able to share. Someone suggested G & T and it was good. Not that we booze a lot, but the odd glass now and then is a lovely treat.

Reviewed the exhibition next day. Just to whet your appetite here is a general pic of the gallery. Small but intimate and the hanging was well considered.

I love this piece by Lisa Earley Seen but not Heard. Here’s a detail. Her layers all work together beautifully.

Another piece I liked was Moonlight on Water by Sheila Cahn. Such a lovely rippled effect.

You will find more about this exhibition in Workshop on the Web in December. The reviews are on the unrestricted area so everyone can see them. It is on until January in the Whitstable Museum and Art Gallery.

When we came home on Sunday, it was to an urgent need to finish Lynda Monk’s new book, due at the printers and freshly back from the copy editor. We made it and, although I hate working on Sundays, it was worth it to start the week so well. It is a lovely book and it Should be available in early December.

More Work on the Diary

Thanks for the encouraging comments. I've been working on the images I showed you and the 'Still Life of a Cold' piece is almost done. The borders are rather large so I will adjust before applying them.

The little Lemsip packets also need finishing off - one needs his orange flash stitched.
They were made from the crumpled and oiled paper which was torn and placed on felt before stitching.

The felt around the edges was finished with a soldering iron which gives a firm edge. I prefer black felt as it adds definition to edges and makes them stand out more.

The second diary day was the photo of the woods, with some gorse, that I messed about with on my Galaxy tab. Quite excited about this as I printed on some calico with kozo fibre stuck on top. See right.

This was coated with inkAID and the resulting print was great. It can be difficult to get through the printer so I don't advise trying this at home.

It gave a most amazing texture, especially for the trees. Not sure if you can see it in the pic below.

I think it is much too stiff to stitch but I might be able to soften it if I manipulate it. It needs a bit of wiggling - technical term, that.

Other experiments were also encouraging. I transferred the piece below by ironing Fusible Webbing to felt and applying a print. Then rubbed the water away from the back until the print was revealed.

Finally I printed it out on silk, tore it into strips and will add masses of straight stitch to it, using my Mulberry silks. A good project for a winter's evening.

But not tonight, as I am going singing. Our Local Vocals choir is practising Christmas songs so it will be jolly. Apart from that one weird tune that I can't get the hang of.

Daily Diary

Some of you may have been following this thread on Facebook but I thought that I'd reproduce it here so that I could go into more detail. It started on Saturday with a horrid streaming cold so I made a still life of it - box of tissues, Lemsip, Obus lozenges - you know the kind of thing. As I posted it on Facebook I thought about making a pic every day to turn into a stitched book - the diary of a week in the life, kind of thing.

So I printed it on ordinary printer paper,  crumpled it gently in my hands and then oiled it, using two teaspoons of olive oil. Then crumpled well again. Placed on felt and hand stitched. I used Transfoil on the felt underneath so was able to cut shapes from the paper to show this. need to stitch the edges of the shapes.

 I was quite pleased and made some little Lemsip packs to decorate the edge.

Then  I made a couple of borders for the top and bottom.

The original idea was to make these very quicky, as the photos were taken , but I decided that it would be more satisfying to take longer, as long as the images reflected each day.

 

The next day I staggered out for a walk and took a pic of some late (or possibly early) gorse flowesr with a stand of birch in the background. 

Played around on this with the Phototouch app on my galaxy Tab, mostly using the Layers function. Here's the result.

I plan to transfer this to fabric by ironing Bondaweb to felt, ironing on the image, print side down and rubbing away the paper to reveal the image.  This should give me a slightly faded, abstracted version over which I will apply the trees, printed on Jacquard's printable silk.

Monday was a solid work day so lunch was the bright spot for the diary.  Here is a still life with quiche.

Not terribly exciting but the colours were good, with the dark worktop giving a good balance of tones. I like the effect of my glass apples.

It was even better when I used a photo of my washing line as a displacement map. There is a tutorial on Displacement Maps somewhere on this blog if you are interested. Check out the labels at the side.

I'm not sure how I will use this one - I'd like to combine both the images, somehow. Experiments are called for and I want to get some yext into them to recall the context.

Yesterday I had a great excitement when a huge book appeared for me to review in Workshop on the Web. Textiles by Mary Schoeser is amazing. Very expensive but with a massive amount of inspiration within the covers. There are over 1000 pics of textile artist's work, together with lovely photos of historic pieces, and it was these that made me think of a drawing I made some time ago, based on a fresco.  I scanned this in, ready to print on water soluble paper. 

I want to transfer this fresco  to fabric in a way that makes it look old and worn. So far it consists of printed water soluble paper, pulped onto vanishing muslin with a resist in some areas to preserve the printing. I have tried some hand stitching and I am about to add machine stitch and then zap it. Back soon to show results.

I hope to show some results in the next blog. meanwhile I am off to find today's pic.